• Anne Mudge: Traces, at The Claremont Graduate University, 1997
  • “Of Angels and Algae: An Essay in Which Deloss McGraw’s Passion for the Pictorial and Poetic Visions of William Blake is Explored,” in As a Poem, So Is a Picture, ed, Debra L. Hopkins, at the Scottsdale Center for the Arts, 1997
  • “The Making of Manuel Neri: Figures, Fragments, Heads and Drawings,” in Manuel Neri: Early Work, 1953-1978 (Hudson Hills Press), in association with the Corcoran Gallery of Art in Washington, D.C., 1997
  • Liza Lou: Kitchen, (John Natsoulas Press) at the The New Museum of Contemporary Art in New York, 1996
  • “The Invisible Town Square: Artists’ Collaborations and Media Dramas in America’s Biggest Border Town,” in But Is It Art? The Spirit of Art as Activism, ed. Nina Felshin (Bay Press), 1994
  • “Quality Material…:” Duchamp Disseminated in the Sixties and Seventies,” in West Coast Duchamp, ed. Bonnie Clearwater (Grassfield Press), 1991
  • On A Scale That Competes with the World: The Art of Edward Kienholz and Nancy Reddin Kienholz, (University of California Press), 1990


  • “Phillip Hefferton,” in L.A. Pop in the Sixties, at the Newport Harbor Art Museum, 1989
  • “Edward & Nancy Reddin Kienholz,” in Australian Biennale 1988 – From the Southern Cross: A View of World Art, c. 1940-1988, for the The Biennale of Sydney and The Australian Broadcasting Corporation, 1988
  • Astrid Preston: Near Paradise, at the Laguna Art Museum, 1987.
  • The Sculptural Stage: John Frame and Jim Lawrence, at San Diego State University, 1987
  • Robert Sanchez, for Centro Cultural de la Raza in San Diego, 1985
  • Jud Fine, for the Los Angeles Municipal Gallery, 1985
  • Curator: Cultural Excavations: Recent and Distant, at Japanese-American Cultural Center/Los Angeles Visual Arts Association, 1983